Justified Happy Persons

Since my entire site appears to be turning into a Doctor Who site (not that there’s anything wrong with that), I thought I needed to bust out some talk about some other shows I’m into.

First up is Justified. For people who don’t know me, I live in WV, which borders KY. If I thought for one minute that Raylan Givens (Timothy Olyphant) could actually be found anywhere in the tri-state area, I would be in the Scionmobile in a heartbeat. I’m surrounded by people who think they’re as cool as Raylan, but they are so, so painfully wrong. I don’t know where the show is actually filmed (and not bothered enough to look it up), but it has the feel of backwoods country goings-on. Normally, I would have passed on premise, but my dad raved about it, as did AICN, so I gave it a chance. I think the best way I’ve rec’d it to someone was as “Dexter, but without the serial killings.” 😉 It’s definitely worth buying on DVD, as Hulu has already lost the first half of the (short) season. This is the first FX show I’ve ever made it a point to tune in to, and I’ll be tuning in to every.single.episode they give us.

Another show I was surprised to find I had in common with my father is Happy Town. Right off the bat, I’m going to admit that yes, it is choppy. The scenes don’t appear to flow properly. There are too many things going on that don’t really make much sense or seem to be a good use of screen time. Most of the storylines are implausible. HOWEVER, I’m still intrigued enough to keep watching for some reason, so it’s gotta be doing something right, yes? I like the cast very much. Surprisingly, the weak link is Amy Acker, who I really do like. Sam Neill’s character is a blatant homage to Leland Gaunt (of Stephen King’s Needful Things fame), and may or may not be (and probably is definitely not) connected to the central mystery surrounding the Magic Man, but it’s Sam Neill, so I’m there. The sheriff doubles as the main baddie on Justified (and was also on Lost for a bit), so there’s a connection to ponder. The show has already seen ratings deathsigns and was pulled from May sweeps, but I’m hoping that ABC will at least let us see what they’ve already filmed. BTW, I still curse ABC daily over the whole Defying Gravity thing.

The last show I’ve just started watching is Persons Unknown, which again, was a recommendation from my dad. As a matter of fact, I’m going to call this whole entry a tribute to Father’s Day (which is this Sunday). Ha! Persons Unknown is best described as Lost meets Harper’s Island. I was impressed to see that the writer of The Usual Suspects (one the the finest cinematic efforts ever made) was the creator/writer of the show. This means the potential for greatness is already here. The only cast member I recognized immediately was Alan Ruck (aka Ferris’ pal Cameron). Alan has also appeared on Justified, so maybe there’s more to my grouping of these three shows that I thought. Hmmm. Anyway, the show is actually pretty tightly produced. The premise seems far-fetched, but not to the point of annoyance. Until we find out a little bit more about why all this is happening, I can’t say much more. It’s not that the show is boring, but every scene feels deliberate. I prefer this format a bit to Happy Town’s, in which everything seems a little bit rushed. The show is only two episodes in, and you can still catch them on Hulu, or watch on NBC on Monday nights.

So there you have it. New fandoms. Happy Father’s Day. 🙂

Filler Up!

Filler episode. “The Lodger” was pleasant, and warm, but filler nonetheless. It really was this year’s “Love and Monsters”. To be honest, I watched while doing a bevy of other things, so perhaps I missed something of great magnitude, but I think the big WOW of the episode was the teaser for the next episode.

Now before I start talking about the next episode, let me just say, “WHAT DO YOU MEAN THE END OF THE SERIES IS UPON US?!?!?” I can’t believe there are only two episodes left. I won’t even discuss the “specials (which weren’t)”, but for the last few years, I’ve been sitting here tapping my finger on the desk thinking, “Just wrap this up so I can go on with my life” as time went by. By the time the last two episodes of S2, 3, and 4 arrived, I was ready to get it over with. I do NOT feel that way this time. I feel like we’ve been given just a taste of this new experience, and I want more. A lot more. *sigh*

On to the preview: The Pandorica. Still don’t know what it is, why it’s important, or what it holds. Old faces are back, which I personally look forward to seeing. I’m not claustrophobic, but there’s something non-threatening in all the empty space in the cave. I’m certain that it’s all very, very threatening, which will no doubt make me feel foolish for thinking there’s enough space to maneuver out of harm’s way. Heh.

My one big hope is that the next two episodes are not striving to be the epicness of all epicocity (i.e. Journey’s End). There appear to be many elements coming together, and with a title like “Big Bang” we’re sure to have some big things happening, but as long as it stays confined to our Doctor and his companions, I’m ok with that.

Doctor Who, Ecstatic Beauty

I’m starting with my thoughts on this week’s Doctor Who episode “Vincent and The Doctor” and working backward. Call it a timey-wimey privilege. First off, I’d like to say that I recently made it dry-eyed through two very moving awards ceremonies and a touching graduation ceremony; what I did not make it dry-eyed through was this episode. I was vaguely familiar with the life of Vincent van Gogh, and though the show may have taken liberties with the portrayal of his daily life, I was floored by my own reaction to the episode. The writing, the visuals, and the excellent, excellent acting were beyond anything I expected from this one. I appreciated the shades of “The Shakespeare Code” (another favorite of mine) and how Vincent was tied in with the “villain” of the episode. I was not quite prepared for the Starry Night scene, and nothing, NOTHING could have prepared me for the “visit” Vincent took with The Doctor and Amy. I was so genuinely overjoyed and saddened simultaneously that I was nearly immobile for the rest of the episode. I freely admit to having tear-soaked sleeves. I think I’m not the only one. That one scene was instantly added to my top ten scenes of all time, quite possibly the top five. I love this show, guys.

Moving back: I may be the only viewer who thought the crack was sealed for the rest of this series. I don’t know why I thought it was, and I was actually a bit surprised to see it again. The shock of the events at the end of “Cold Blood” was nearly overridden by the opening of the crack, but I’m not disappointed that it’s still relevant. The Doctor, always so brave, reaching into the crack to pull out “shrapnel” was frightening enough, but when the collected fragment was revealed, I let out an audible gasp and my heart raced. This isn’t good. No, it’s not good at all. 😮 Seems to me that The Doctor and Amy are due for some serious treachery in the remaining episodes. Whoa. I’ll definitely be watching on the edge of my seat!

Bait N’ Switch

While I could argue that Lost is the worst offender of the Bait N’ Switch in terms of not staying true to itself, I think I would have to admit that the more egregious offender is Glee. The problem with Glee is that it used up 75% of its heart with the pilot. That one episode had more light-hearted, feel-good moments than almost anything I had ever seen. It was inspiring, touching, and dared us to dream.

In the next few episodes, we began to cringe at the ridiculous pregnancy stories, bad production numbers, and lack of originality. What we didn’t know then, was just how far off the rails the show would go. Not since Finn laid his head in his mother’s lap and wept at his (alleged) impending fatherhood have I seen anything close to a “heart” on this show.

The worst part of this whole ordeal is that we are still in Season One. In less than one full season, a show about misfits coming together and conquering their peers is now little more than a gaygenda show. A Madonna episode? Really? That would have been cool about 15 years ago. Word is that there may be another one. Ugh. Neil Patrick Harris (current poster boy for gayness) playing a reformed singer who has turned uber conservative? So obvious. Also? He cannot sing. It’s this kind of ploy has me ashamed to have pimped this show based only on the pilot episode. Behind the scenes, the creators would rather fight political battles over Newsweek articles than realize that their show has lost its charm to all but the pandered. Even the moments which are supposed to tug at our heartstrings are so heavy handed that more often than not, we can only groan.

I guess it’s no coincidence that Lost and Glee both air this season on Tuesdays, in the ultimate Bait N’ Switch hour.